October 12, 2018
8:45 AM – 9:30 AM
Inauguration / Welcome
First Session: Framing the Questions
In this session broad conceptual and systemic questions will be highlighted in the opening note and questions from the participants will be gathered and collated. These questions will be referred to throughout the two-day deliberations and will be reflected upon to forge a collective path forward.
Setting the agenda – Zainub Verjee
Listening In: Participant break-up
Following the Opening Note, Participants will be divided into smaller groups to facilitate the process of raising collectively questions in four categories:
Scott Benesinaabandan discusses his practice and his work Physic Mysteries, Blood Memories in the RMG exhibition Inaabawin.
Responsive Keynote – Niranjan Rajah
This session will see the first response to the set of questions raised in the form of a Responsive Keynote.
Second Session: State of the Field
In this session we will discuss the current practices embedded in the histories of intersection between art, science, and technology and at the same time discuss the imperatives of ephemeral technologies and its impact on artmaking.
Art Now / Art Next
Caroline Langill, Niranjan Rajah, Faisal Anwar, Jessica Thompson, Nell Tenhaaf (Moderator)
Third Session: RMG Exhibition Tour
Alison Humphrey speaks to her practice and work Shadowpox in the RMG exhibition Public Notice. Followed by Exhibition Tour.
Reception with Performance
October 13, 2018
Fourth Session: Gallery Making / Re-Making
This session focuses on how different art galleries have undertaken respective strategies to respond to the impact of digital technology as its core business.
Three Case Studies of Art Galleries Response to the Digital Ecosystem
- Case Study – 1 Lianne Davison on Surrey Art Gallery
- Case Study – 2 New Westminster Gallery Co-Directors & Co-Curators Gordon Duggan and Sarah Joyce
- Case Study – 3: Rozemin Keshvani, Whitechapel Gallery, UK
Q & A and Facilitated Discussion on the Case Studies
Fifth Session: Exhibition Making / Re-Making
To lead the discussion on the emergence of sites of Exhibition Making – the interfaces and materials. How are these works reflecting various themes such as gender-technology debate; ephemeral art; modes of productions and its implication for collection and art historical discourse, DIY culture and new tools.
Digital Technology & the Art Gallery: Exhibition, Collection, Audience
This panel will engage in discussions about prospective developments and application of Digital Technology in Audience Engagement, Immersive Exhibitions, Collection of Ephemeral Artworks, Accessibility, etc.
Panel: Jean Gagnon , Srinivas Krishna, David Bobier, Zach Pearl, Steve Daniels, and Canada Council Funder (TBA)
Sixth Session: Learnings and Reflections
We started with a set of questions and towards the end we take into consideration how we have addressed them or how do we need to re-calibrate our responses to the learnings from the symposium? This session will bring together the thematic questions and nut-bolts issue to the fore allowing participants a distinct take away to their respective institutions.
Facilitators: Zainub Verjee, Linda Jansma, Niranjan Rajah